Born on September 5, 1953, Sneh Mohan's journey in the world of art began with her passion for drawing and painting, which led her to pursue a Master's degree in Drawing and Painting in 1974. She further honed her skills in sculpture at the College of Art, New Delhi, as a non-collegiate student in 1987-88, driven by an insatiable desire to explore new mediums and forms.

Sneh Mohan is known for her versatility across multiple mediums, including wood, bronze, fiberglass, and ceramics. Her works are celebrated for their fluid lines, soft edges, and emotional depth, often depicting the realities of middle-class families and capturing the intensity of human emotions. Her sculptures carry a sense of dignity and warmth, with an emphasis on round, smooth forms that are both pleasing to the eye and evocative of her artistic vision.

Sneh Mohan’s expertise in ceramics has made her a leading figure in this medium. She has experimented with glass and various finishes to create sculptures that are vibrant, unique, and true to her expressive style. Her works are characterized by their solid form, vivid colors, and the emotion they evoke—each piece telling a story that resonates with viewers across cultures.

Throughout her career, Sneh Mohan has been an active participant in numerous national and international exhibitions. Her solo exhibitions at the prestigious Jehangir Art Gallery in Mumbai in 1993 and 1996 were particularly successful, drawing attention from collectors worldwide. Her work has been displayed in international exhibitions such as the Contemporary Indian Art Exhibition in Seychelles (1991) and the "Colours of Earth" exhibition organized by the British Council across India (1991-92). Her pieces have also been showcased in collaboration with the Indo-Soviet Nicolai Roerich Art Club in New Delhi.

Sneh Mohan's artistry has been widely recognized, earning her multiple awards and fellowships. She was awarded the Senior Fellowship in Sculpture by the Government of India in 2019, which allowed her to explore new creative frontiers until June 2021. Previously, she was granted the UP State Government's Senior Fellowship from 1992 to 1994. Her ceramic sculpture "Marriage" received accolades at the Millennium All India Art Exhibition, organized by the All India Fine Art & Crafts Society (AIFACS) in New Delhi in 2001.

Her sculpture "Family (Parivar)," created in ceramics, won the State Award for Best Sculpture at the 23rd Annual Art Exhibition by the UP Lalit Kala Academy in 2002. Her work "Nuns (Sanyasins)" also received first prize at the Regional Art Exhibition organized by the UP Lalit Kala Academy in 2003-2004.

Her sculpture "Mother God," a six-foot ceramic piece in a tribal art style, is part of the permanent collection at the UP Academy of Fine Arts, Lucknow. This piece, along with her other notable works, continues to inspire artists and audiences alike with its blend of cultural roots and contemporary flair.

Sneh Mohan's artistic philosophy is rooted in her desire to portray reality with sensitivity and authenticity. She blends ancient Indian techniques with modern sculpture practices, resulting in works that are both pure and deeply expressive. Her creations often symbolize the passions, struggles, and joys of everyday life, inviting the viewer to connect on an emotional level. Her technical mastery in ceramics is complemented by her work in bronze and fiberglass, where she experiments with textures and finishes that elevate her pieces to a higher artistic plane.

Among her most notable recent creations are her bronze sculptures that stand as a testament to her exploration of human expression. These sculptures, created as part of her Senior Fellowship by the Government of India, reveal a raw emotional depth. Each piece seems to capture a different facet of the human experience—one depicting an impassioned outcry with an open mouth, emphasizing the catharsis of expression, and the other conveying a more contemplative state, with serene facial features resting on hands. These sculptures are characterized by their textured surfaces, vivid detailing, and intricate interplay of solid forms with delicate, evocative features. Sneh Mohan’s approach to bronze captures both vulnerability and strength, inviting viewers to reflect on the spectrum of emotions depicted in her art.

Beyond her work as an artist, Sneh Mohan has made significant contributions to the art community. As the former Vice-Chairperson of the UP State Lalit Kala Akademi, she played a pivotal role in promoting art and culture throughout Uttar Pradesh. Her efforts in fostering a greater appreciation for fine arts have been widely acknowledged by her peers and the public.

Sneh Mohan has also participated in numerous art camps, workshops, and judging panels, sharing her knowledge and encouraging the next generation of artists. Notable camps and workshops include the Sahitya Kala Parishad workshop for Drawing & Painting, the All India Ceramics Artists Workshop organized by LKA Delhi, and the Ceramics Artist Festival at Rashtriya Lalit Kala Kendra, Lucknow in 2001.

Her poetry, another aspect of her creative expression, has been published in the "Prerna Magazine" of the IAS Officers' Wives Association in 2018 and 2019, showcasing her multifaceted talent.

Sneh Mohan's sculptures are part of several prominent collections, including those at the Lalit Kala Akademi in New Delhi, the UP Academy of Fine Arts in Lucknow, and Aurobindo Art Gallery in New Delhi, among others. Her works are also housed in private collections across India and internationally, including in the USA, Thailand, the United Kingdom, and Kenya. Her pieces have been collected by notable institutions such as Rashtriya Lalit Kala Kendra in Lucknow and Heritage Art Gallery in Madras. Her exhibitions at venues like Dhoomimal Gallery and Vadhera Gallery have further cemented her reputation as an artist whose work transcends regional boundaries.

Sneh Mohan's work has been included in numerous prestigious group exhibitions throughout her career. She participated in the National Exhibitions of Art by Lalit Kala Akademi in New Delhi multiple times, with her work featured in the 32nd, 35th, 38th, 40th, and 43rd exhibitions between 1989 and 2001. Her contributions to the art scene include participation in annual exhibitions by Sahitya Kala Parishad in Delhi and regional exhibitions by the UP Lalit Kala Akademi. Noteworthy among her group exhibitions are the 4th Northern Regional Art Exhibition by LKA Delhi in 1991-92 and the "Kala Mela" series, which took place multiple times during the 1990s.

In addition to her awards for specific pieces, Sneh Mohan has received significant accolades for her overall contribution to Indian art. She was honored with the Garhi Research Grant by the Academy of Fine Arts, New Delhi, in 1990-1991, further supporting her pursuit of artistic innovation. Her involvement in regional and national exhibitions has been instrumental in promoting Indian sculpture on a larger scale, including her work in exhibitions like "The Downtrodden and We," which honored the memory of Dr. B.R. Ambedkar.

Her influence is also evident in public installations, including sculptures displayed in government offices in Delhi and Lucknow, as well as in prominent private collections. Her ability to create both large-scale public works and intimate, smaller pieces has allowed her to reach a diverse audience. Her work "Life is a Kite"—created for her Senior Fellowship—epitomizes her artistic philosophy of celebrating life with color, emotion, and optimism.

Currently based in Ghaziabad, Sneh Mohan continues to work out of her studio at R71, Rajkunj, Rajnagar, Ghaziabad. Her dedication to her craft and her ability to innovate within the traditional confines of sculpture make her a true luminary in the field of fine arts. She invites art lovers and aspiring artists alike to connect with her through her blog and social media, where she shares her ongoing projects, thoughts on art, and glimpses of her creative process.

Sneh Mohan's journey is a testament to her resilience, passion, and unwavering commitment to the arts. She stands as a beacon of inspiration, not just for her peers, but for all those who seek to understand the world through the lens of creativity and beauty.